
Olafur Eliasson, ‘Multiple grotto’ (2004). Stainless-steel mirrors. Installation view at the MCA, Sydney 2009 ©2009 Olafur Eliasson
Upon encountering ‘Multiple grotto’ (2004), exhibition visitors may feel like astronauts approaching a jagged, geometric, stainless steel meteorite. Yet circle around the object and interior space becomes apparent; step inside and its effect is revealed.
Inside, participants are treated to an alternate view of the gallery space. Several angled, mirrored steel cones kaleidoscopically reflect the space around it – gallery walls and other patrons milling about. Fractured and refracted, these slivers of life outside are re-arranged to form an array of symmetrical shapes, in geometric patterns not unlike snowflakes or crystals.
‘Multiple grotto’ (2004) doesn’t control or dictate the experience you have — you do. Adjust your perspective to create something new and ever-changing. It’s a simple idea, executed with no smoke-and-mirrors subterfuge. Yet as with much of Eliasson’s work, it brings a heightened awareness of your senses and your sense of play.
Multiple grotto (2004)
Olafur Eliasson, ‘Multiple grotto’ (2004). Stainless-steel mirrors. Installation view at the MCA, Sydney 2009 ©2009 Olafur Eliasson
Upon encountering ‘Multiple grotto’ (2004), exhibition visitors may feel like astronauts approaching a jagged, geometric, stainless steel meteorite. Yet circle around the object and interior space becomes apparent; step inside and its effect is revealed.
Inside, participants are treated to an alternate view of the gallery space. Several angled, mirrored steel cones kaleidoscopically reflect the space around it – gallery walls and other patrons milling about. Fractured and refracted, these slivers of life outside are re-arranged to form an array of symmetrical shapes, in geometric patterns not unlike snowflakes or crystals.
‘Multiple grotto’ (2004) doesn’t control or dictate the experience you have — you do. Adjust your perspective to create something new and ever-changing. It’s a simple idea, executed with no smoke-and-mirrors subterfuge. Yet as with much of Eliasson’s work, it brings a heightened awareness of your senses and your sense of play.
This entry was posted in Visuals and tagged installation, MCA, Olafur Eliasson, Take Your Time
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