While the title may evoke the monochrome, Eliasson’s ‘Room for one colour’ (1997) recognises the materiality of light; the physical impression that it has on oneself and the environment.
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While the title may evoke the monochrome, Eliasson’s ‘Room for one colour’ (1997) recognises the materiality of light; the physical impression that it has on oneself and the environment.
For many works in the Take your time: Olafur Eliasson exhibition, the visible spectrum is not simply a palette of set colours, but instead represents a form unto itself. With ‘Yellow versus purple’ (2003), the artist negotiates opposing hues of the colour spectrum.
Try to visualise sound, and most often it’s an image of a wave that comes to mind; an undulating line that peaks and troughs depending on a number of variables. This image may also act as a metaphor for ‘Spatial vibration: string-based instrument’ , an ongoing project developed in collaboration with the artist, Luca Bartoccioli, Bill Bowen, Hans [...]
The notion of pictorial perspective has been central to Western representation since Raphael’s ‘School of Athens’ (1510–1511) was able to produce a sense of depth within the two-dimensional frame. Into a new millennium and the perception of architecture and politics of space still dominate contemporary art practice.
Multiple grotto (2004)